Our second volume has been published!

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  • Kan Ren Jie, “The Bones That Have Been Humbled Shall Rejoice”: Psalm 50 and the Narrative of Salvation in Dante’s Commedia
  • Nicholas Lua Swee Yang, “Dead Poetry Rising:  Recognition in La Divina Commedia”
  • Kevin Wong, “The Future Ancient Poet: Anticipating Antico in the Commedia”
  • Brandon Lim, Dante’s Tale of Two Cities: Medieval Polities of Envy In Purgatorio 13-14
  • Huang Kangsheng, Carson, “Dante and Narcissus: Controlling a Shameful Gaze”
  • Genevieve Ding Yarou, “Infernal Ineffability: Dead Poetry in Dante’s Inferno”
  • Faris Joraimi, “Dante’s Mystical Rose: Cosmic Geometry, Vision, and Transcendence in the Divine Comedy”
  • Lu Yi, “Giri, God, and Geometry: On Divine Circularity in Paradiso 33″

student editors: Carson Huang and Kevin Wong

Announcing our first volume

In the first semester of the  2015-2016 academic year, the third of Yale-NUS’s young life as a liberal arts college, Dante was taught for the first time. These essays presented here are revisions of the final student projects. Please download it here: dantejournal_sg !

We are proud to present:

Christopher Tee, “Dante’s Addresses to the Reader: A New Way of Seeing and Reading”

Ritika Biswas, “How To Become A Scribe: Art And Humility In The Divine Comedy

Thu Truong, “LA DIVINA MIMESIS: Art in the Terrace of Pride in Divina Commedia

Carmen Denia, “Divine Hunger in Dante’s Purgatorio

Rebecka Lindeberg, “The Middle of the Journey: Dante’s Reversal of Phaethon and Lucifer in Canto 17 of The Divine Comedy

Benson Pang, “Every Tongue Would Surely Fail— The Visual and the Verbal in the Illustrations of the Inferno

 

Faculty editor: Andrew hui

Student Editors: Carmen Denia (2017) and Thu Truong (2018)

 

 

This publication is made possible by a grant from Yale-NUS College’s Centre for Teaching and Learning